Our Work
Commercials & Television
Commercial Color and Finishing are equal parts art, science and hospitality. As artists, our color and visual effects team bring passionate, award-wining talent that can elevate a Creative Director or DP’s vision beyond expectation. Supporting our artists’ creative vision is good science. As Chromaticians and students of the constantly evolving world of cinematography, image acquisition, and digital post production, Cinelicious innovates workflows and leverages digital technologies to keep you on the leading edge of what’s possible, delivering content from iPad mini to 4K Giant Screen and everything in between. We also offer clients who shoot film unrivaled, in-house, multi-format (S8mm,16mm, 35mm) film capabilities with our bleeding-edge 4K pin-registered HDR Scanity film scanner.
“Harley and the Davidsons” Trailer
Client: Discovery Channel
Director: Peter McKeon
Shark Week-“Shark and Awe”
Client – Discovery Channel
Director – Peter McKeon
Discovery Channel – Shih Tzu
Client: Discovery Channel
Director: Peter McKeon
COSMOS – Main Title Sequence
VFX/Design: Big Block
Final Color: Lynette Duensing
Infiniti Q50L
Agency – TBWA Beijing Goliath
Director – Charles Paek
Acura TLX
Agency – Mullen Lowe LA
Executive Producer: Peter King
Feature Films & Shorts
We love movies – new and old, big and small. We are continually leaning in to the bleeding edge to bring our clients the best picture technically and aesthetically possible and have just completed build out on our 4K DI Theater, one of the first of it’s kind allowing realtime color grading while viewing True 4K resolution from 4K DLP projection.4K it is the standard of theater chains and now even the living room… TV manufactures are all producing 4K “Ultra HD” televisions for the home. At Cinelicious, while we handle high-resolution digital cameras with ease, we love using our Scanity HDR 4K Film Scanner to showcase gorgeous 35mm film at its true resolution, a beauty you likely have yet to behold.This year, as you are in pre-production for your next feature and considering the F65, RED, Alexa or 35mm, we encourage you not to make the decision by looking at a spreadsheet. Instead, we invite you and your DP to stop and feast your eyes on what we can offer you.
We are currently serving up Digital Intermediates at up to 4K resolution from 16mm, 35mm and all Digital Cameras. No matter what the format, our creative and technical teams will throw their passion and talent behind your picture.
DON’T WORRY, HE WON’T GET FAR ON FOOT
Directed by Gus Van Sant
DP: Christopher Blauvelt
Amazon Studios
CINELICIOUS: Dailies, Conform, Final DI Color & Mastering
CERTAIN WOMEN
Directed by Kelly Reichardt
DP: Christopher Blauvelt
Sony Pictures
CINELICIOUS: Color & Mastering, Digital Film Restoration
ENTERTAINMENT
Directed by Rick Alverson
DP: Lorenzo Hagerman
CINELICIOUS: Final DI Color & Mastering
Magnolia Pictures
TOO LATE
Directed by Dennis Hauck
DP: Bill Fernandez
CINELICIOUS: Final DI Film Scanning, Conform, Digital Film Restoration
BOYHOOD
Directed by Richard Linklater
DP: Lee Daniel + Shane F. Kelly
CINELICIOUS: Final DI Film Scanning, Conform, Digital Film Restoration
IFC Films
BERLINALE 2014 | Silver Bear
LOW DOWN
Directed by Jeff Preiss
DP: Christopher Blauvelt | S16mm
CINELICIOUS: Dailies, 2K DI Film Scanning
SUNDANCE 2014 | Best Cinematography
Film Restoration
FUNERAL PARADE OF ROSES (1969)
Directed by Toshio Matsumoto
35mm black & white
grading & restoration
PRIVATE PROPERTY (1960)
Directed by Leslie Stevens
35mm black & white
4K scanning, grading & restoration
BELLADONNA OF SADNESS (1973)
Directed by Eiichi Yamamoto
35mm color animation
4K scanning, color grading & restoration
DEATH VALLEY DAYS (1952-1970)
450+ episodes
35mm/16mm color and black & white
2K scanning, color grading & restoration
THE FILMS OF ANA MENDIETA
Directed by Ana Mendieta
Archive of super-8 and 16mm color films
Scanning, color grading & restoration
SON’S RETURN (1909)
Directed by D.W. Griffith
from original 35mm 1-perf Biograph negative
4K scanning, grading & restoration