Tag Archives: 35mm

ANIME NEWS NETWORK – Cinelicious Pics To Restore Belladonna of Sadness For U.S. Release

Belladonna of Sadnessanime news network

Cinelicious Pics has signed an exclusive deal to restore and distribute the long-unavailable 1973 Japanese animated masterpiece BELLADONNA OF SADNESS, as its first major restoration and re-release. The last film in the groundbreaking Animerama trilogy produced by the godfather of Japanese anime & manga, Osamu Tezuka (METROPOLIS, ASTRO BOY) and directed by his long time collaborator Eiichi Yamamoto, BELLADONNA is a mad, swirling, psychedelic lightshow of medieval tarot-card imagery with horned demons and haunted forests. Never before released in the U.S., BELLADONNA OF SADNESS unfolds as a series of spectacular still watercolor paintings that bleed and twist together like an animated version of Chris Marker’s “La Jetée.” Cinelicious will restore the feature using the original 35mm camera negative and sound elements in anticipation of a 2015 theatrical, VOD, and home video re-release in North America.

Cinelicious Pics, which launched earlier this year, is uniquely positioned to restore film through its parent company Cinelicious. “It took months of negotiations to convince the Japanese rightsholders to entrust us with the original camera negative of the film which we’re restoring in-house,” says Cinelicious Pics’ President Paul Korver. “People will be simply blown away by the wild, hallucinatory images and soundtrack,” he adds. “BELLADONNA OF SADNESS belongs on a short list with Rene Laloux’s FANTASTIC PLANET and Ralph Bakshi’s WIZARDS as one of the trippiest animated films ever conceived,” adds Cinelicious Pics’ EVP of Acquisitions & Distribution Dennis Bartok. “This is a major rediscovery – and I have to give credit to Hadrian Belove at The Cinefamily here in L.A. for bringing the film to our attention.”

An innocent young woman, Jean (voiced by Katsutaka Ito) is savagely assaulted by the local lord on her wedding night. To take revenge, she makes a pact with the Devil himself (voiced by Tatsuya Nakadai, from Akira Kurosawa’s RAN) who appears as an erotic sprite and transforms her into a black-robed vision of madness and desire. The film is fueled by a Japanese psych rock soundtrack by Masahiko Sato. The deal was negotiated by Cinelicious Pics’ President Paul Korver, President of Business Affairs Kristine Blumensaadt and EVP Dennis Bartok with Japanese rightsholders Gold View Co. and Mushi Productions.

Cinelicious Pics brings handpicked, delicious cinema to U.S. audiences for the first time via theatrical release, VOD, Blu-Ray and 4K Television. The company’s current slate includes GIUSEPPE MAKES A MOVIE, METALHEAD, GANGS OF WASSEYPUR, and Josephine Decker’s BUTTER ON THE LATCH and THOU WAST MILD & LOVELY. Key ingredients include an eclectic mix foreign and independent features & docs plus 4K-restored art house and cult classics, lovingly brought to pristine viewing quality by sister post & digital restoration studio Cinelicious.

POST MAGAZINE: Lady Gaga’s “G.U.Y” Colored by Cinelicious

Gaga_GUY_600x300

postmag.jpg

HOLLYWOOD — Cinelicious provided 35mm film scanning, dailies, and final color services for Lady Gaga’s new 11-minute G.U.Y. video. Directed by the pop star, the project was captured on 35mm film and marks one of the few productions to be shot at Hearst Castle. The G.U.Y. video portrays Lady Gaga as a wounded, winged creature, who finds support and healing from her stylized army of dancers. The shoot extends throughout the Castle’s grounds, pool and garden. In addition to the star and her dancers, the video features the cast from the Real Housewives of Beverly Hills series.
*Full Credit List – Please See End Credits in Video*

Cinelicious Puts Film First For Three Sundance Premiere Projects

Cinelicious is excited to have contributed post services for three Sundance 2014 premiere films, Michael Tully’s Ping Pong Summer, Richard Linklater’s Boyhood, and Jeff Preiss’ Low Down, all shot on 16mm and 35mm film.

“Film is alive and well even at the independent level, and we are excited to have worked three films included in this year’s Sundance line-up, including the US Dramatic Cinematography Award winner Low Down” says Cinelicious’ Paul Korver. “If you look at the award winning films each year, overwhelmingly they are shot on film. It’s a great validation of the enduring beauty of celluloid.”

Continue reading

There Is An “Afterlife”: Cinelicious Lends Color & High Resolution Scanning To Arcade Fire’s New 35mm & 65mm Film Directed by Emily Kai Bock

For Arcade Fire’s new album release the Montreal band commissioned “Afterlife,” a film directed by Emily Kai Bock and produced by The Creators Project (a partnership between Intel and VICE). The dreamy, moody and captivating film was shot on 65mm and 35mm by DP Evan Prosofsky and Cinelicious proudly contributed to this unique cinematic force by providing film scanning, color services and 4k mastering.

Continue reading

POST MAGAZINE: Picture and Sound Restoration

Cinelicious (www.cinelicious.tv), in Hollywood and Santa Monica, is restoring 458 half-hour episodes of Death Valley Days, the syndicated western series, which aired from 1952-1970 and was introduced by a number of iconic western figures, including Ronald Reagan (1964-1965). The show was sponsored by US Borax Company, and Cinelicious was tasked by its multinational corporate parent, Rio Tinto, with preserving the series’ legacy.

Continue reading

Film Takes Top Dramatic Awards at SUNDANCE. Think Indies can’t afford to shoot film… Can they afford not to?

Here’s a surprising fact that independent producers may want to consider before they write of film as “too expensive”: There were 120 films in competition at Sundance this year. Based on our research and conversations with Kodak and Fuji only 5% were shot on film… and yet that small minority took 100% of the most coveted Jury and Grand Jury and prizes in the US and World Dramatic competitions, as well as winning the Excellence in Cinematography Award in the US Dramatic category.

Continue reading