Tag Archives: Film Restoration

106 year old film never looked so good!

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A single frame from D.W. Griffith’s 1909 short THE SON’S RETURN, starring Mary Pickford (her 2nd film) and Mack Sennett. The image on the left is from an existing DVD, which came from the paper prints stored at the Library of Congress and is typical of the quality we’ve come to associate with early silent-era cinema. The newly restored image on the right is from the original, single-perf Biograph 35mm nitrate camera negative. Until now, no one has been able to scan camera original Biograph negative due to its bizarre one-perf structure (which can be seen in the image).

Cinelicious is happy to announce that we’ve solved this problem and have engineered a way to successfully scan and restore this important piece of cinema history at 4K.  Beyond the gorgeous 4K scan, our team of artists put in a tremendous amount of time and effort grading, stabilizing and cleaning up the over century old images.

The 4K restoration premiered at UCLA Film & Television Archive’s FESTIVAL OF PRESERVATION this past March at the Billy Wilder Theater at the Hammer Museum in Westwood.  The restoration was funded jointly by the UCLA Film & Television Achive, the Mary Pickford Foundation, and the Museum of Modern Art.

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Belladonna of Sadness 4K Restoration Invades Tumblr

Belladonna on Tumblr

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Cinelicious has launched a Tumblr page in support of their new 4K restoration of the 1973 Japanese animated feature Belladonna of Sadness. The page will feature behind-the-scenes looks at the restoration process, including many before-and-after images showing off the amazing beauty that a 4K restoration from original 35mm negative can produce. We’ve selected some of our favorite images from the film featuring the incredible artwork of Kuni Fukai and will be posting them regularly!  Be sure to follow so you don’t miss anything!

ANIME NEWS NETWORK – Cinelicious Pics To Restore Belladonna of Sadness For U.S. Release

Belladonna of Sadnessanime news network

Cinelicious Pics has signed an exclusive deal to restore and distribute the long-unavailable 1973 Japanese animated masterpiece BELLADONNA OF SADNESS, as its first major restoration and re-release. The last film in the groundbreaking Animerama trilogy produced by the godfather of Japanese anime & manga, Osamu Tezuka (METROPOLIS, ASTRO BOY) and directed by his long time collaborator Eiichi Yamamoto, BELLADONNA is a mad, swirling, psychedelic lightshow of medieval tarot-card imagery with horned demons and haunted forests. Never before released in the U.S., BELLADONNA OF SADNESS unfolds as a series of spectacular still watercolor paintings that bleed and twist together like an animated version of Chris Marker’s “La Jetée.” Cinelicious will restore the feature using the original 35mm camera negative and sound elements in anticipation of a 2015 theatrical, VOD, and home video re-release in North America.

Cinelicious Pics, which launched earlier this year, is uniquely positioned to restore film through its parent company Cinelicious. “It took months of negotiations to convince the Japanese rightsholders to entrust us with the original camera negative of the film which we’re restoring in-house,” says Cinelicious Pics’ President Paul Korver. “People will be simply blown away by the wild, hallucinatory images and soundtrack,” he adds. “BELLADONNA OF SADNESS belongs on a short list with Rene Laloux’s FANTASTIC PLANET and Ralph Bakshi’s WIZARDS as one of the trippiest animated films ever conceived,” adds Cinelicious Pics’ EVP of Acquisitions & Distribution Dennis Bartok. “This is a major rediscovery – and I have to give credit to Hadrian Belove at The Cinefamily here in L.A. for bringing the film to our attention.”

An innocent young woman, Jean (voiced by Katsutaka Ito) is savagely assaulted by the local lord on her wedding night. To take revenge, she makes a pact with the Devil himself (voiced by Tatsuya Nakadai, from Akira Kurosawa’s RAN) who appears as an erotic sprite and transforms her into a black-robed vision of madness and desire. The film is fueled by a Japanese psych rock soundtrack by Masahiko Sato. The deal was negotiated by Cinelicious Pics’ President Paul Korver, President of Business Affairs Kristine Blumensaadt and EVP Dennis Bartok with Japanese rightsholders Gold View Co. and Mushi Productions.

Cinelicious Pics brings handpicked, delicious cinema to U.S. audiences for the first time via theatrical release, VOD, Blu-Ray and 4K Television. The company’s current slate includes GIUSEPPE MAKES A MOVIE, METALHEAD, GANGS OF WASSEYPUR, and Josephine Decker’s BUTTER ON THE LATCH and THOU WAST MILD & LOVELY. Key ingredients include an eclectic mix foreign and independent features & docs plus 4K-restored art house and cult classics, lovingly brought to pristine viewing quality by sister post & digital restoration studio Cinelicious.

POST MAGAZINE: Picture and Sound Restoration

Cinelicious (www.cinelicious.tv), in Hollywood and Santa Monica, is restoring 458 half-hour episodes of Death Valley Days, the syndicated western series, which aired from 1952-1970 and was introduced by a number of iconic western figures, including Ronald Reagan (1964-1965). The show was sponsored by US Borax Company, and Cinelicious was tasked by its multinational corporate parent, Rio Tinto, with preserving the series’ legacy.

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