Tag Archives: Super 8mm

Cinelicious Christen’s Santa Monica with Sprint iPhone 5 – I Am Unlimited

Clear

Breaking ground at Cinelicious new Westside location at 631 Wilshire Blvd is the Sprint iPhone 5 – I Am Unlimited campaign from Leo Burnett & Digitas. A visual smorgasbord featuring an array of arresting images, stills, vfx, digital live action and even some super 8mm and 16mm form director Fleur & Manu at Caviar Content – all beautifully color graded by Cinelicious commerical talent Robert Curreri. Cinelicious provide Super 8mm and 16mm film dailies and, as well as the final color grading on our new 17′ DLP Big TV broadcast DI system in Santa Monica. The future for Cinelicious is looking bright on the Westside… or dare we say.. Unlimited?

AGENCY – TEAM SPRINT – LEO BURNETT & DIGITAS
Chief Creative Officer: Susan Credle
Executive Creative Director: Mike Boychuk
Creative Directors: Colin Selikow, Vince Cook, Suzanne Michaels
Art Director: Ryan Dickey
Copywriter: Brian Karr
Executive Producer: Nicky Furno
Producer: Rena Dusenbury

PRODUCTION COMPANY – CAVIAR CONTENT
Executive Producer: Michael Sagol
Executive Producer: Jasper Thomlinson
Head of Production: Leigh Miller
Producer: Pat Harris
Producer: Jules Dechateleux
Director: Fleur & Manu

EDITORIAL – WHITEHOUSE POST
Senior Producer: Kristen Branstetter
Editor: Josh Bodnar

VISUAL EFFECTS – EIGHT VFX
Executive Producer: Baptiste Andrieux
Executive Producer: Shira Boardman
VFX Producer: Thomas Knight
Flame Artist: Federico Saccone
After Effects Artist: Greg De Maria
VFX Coordinator: Doug Scruton

COLOR GRADING – CINELICIOUS
Executive Producer: Paul Korver
Telecine Producer: Reggie Diaz
Colorist – Robert Curreri
Telecine Assist: Tyler Fagerstrom
Dailies Super 8mm / 16mm Colorist: Trevor Dauten

Cinelicious Provides Frighteningly good Super 8mm DI Scans for SINISTER

Sinister

Super 8 Scans from SINISTER – Click Above to Watch the Trailer



Sinister DP Chris Norr was on a mission – To find the highest quality DI scans for the Super 8 footage in his upcoming feature Sinister, directed by Scott Derrickson and distributed by Summit Entertainment. As part of his research he put up his test footage on every high resolution Super 8mm scanner he could find. In the end Cinelicious combination of technical capability and talent won the job.

Super 8 played a key plot point in the film is when the lead character Ellison Oswalt (played by Ethan Hawke) moves into a new house and discovers some vintage Super 8mm snuff films in the attic. Here’s Chris in his own words from a recent article on the process from ICG magazine “I started researching Super 8 on Sinister, where Ethan Hawke’s character finds this frightening old footage. I was able to shoot Vision 3 stocks, Leica lenses, and get a gorgeous 2K scan at Cinelicious in LA, all for a very reasonable price. It’s cool to be using two format extremes – HD with the ALEXA and Super 8 – in the same movie.”

Cinelicious Shows Film Passion With 7 For All Mankind Campaign

Cinelicious’ film passion and expertise was tapped for the just released 7 For All Mankind’s Spring Campaign. Born from an art film imagined and created by James Franco in collaboration with the brand’s creative agency, LIPMAN, the unorthodox campaign is an innovative multimedia experience that embodies the brand’s California roots and ‘forever cool’ aesthetic. Consulting with LIPMAN and DP Max Goldman for the project, Cinelicious provided cameras (Super 8 & Ultra 16mm), film, processing and 2K film scanning and color grading.

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