Tag Archives: Paul Korver

There Is An “Afterlife”: Cinelicious Lends Color & High Resolution Scanning To Arcade Fire’s New 35mm & 65mm Film Directed by Emily Kai Bock

For Arcade Fire’s new album release the Montreal band commissioned “Afterlife,” a film directed by Emily Kai Bock and produced by The Creators Project (a partnership between Intel and VICE). The dreamy, moody and captivating film was shot on 65mm and 35mm by DP Evan Prosofsky and Cinelicious proudly contributed to this unique cinematic force by providing film scanning, color services and 4k mastering.

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ICG Magazine – Cinelicious: Retro-Digital

Paul Korver, principal/executive producer at Cinelicious, admits that he “really loves film.” And by that he means celluloid. Cinelicious recently backed that love up by purchasing a Scanity film scanner, which is now the heart of the company’s non-linear 4K DI workflow. The Scanity can handle every type of film project from dailies to DI and visual effects footage to archival projects. It’s eliminated the need to have three separate scanners, making Korver’s decision to stick with celluloid as a creative medium a smart business move.

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One Love, One Heart: Cinelicious Provides Post Services to Critically Acclaimed Documentary MARLEY

Cinelicious is proud to have contributed color grading and scanning to the wealth of archival footage featured in the new documentary MARLEY. Directed by Oscar winner Kevin Macdonald (One Day in September, The Last King of Scotland), the film is currently in theatrical release through Universal and Magnolia Pictures as well as available on demand.

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Cinelicious Shows Film Passion With 7 For All Mankind Campaign

Cinelicious’ film passion and expertise was tapped for the just released 7 For All Mankind’s Spring Campaign. Born from an art film imagined and created by James Franco in collaboration with the brand’s creative agency, LIPMAN, the unorthodox campaign is an innovative multimedia experience that embodies the brand’s California roots and ‘forever cool’ aesthetic. Consulting with LIPMAN and DP Max Goldman for the project, Cinelicious provided cameras (Super 8 & Ultra 16mm), film, processing and 2K film scanning and color grading.

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